Persephone et al

I got cast in a mythology project, happening at the Windsor Art Center on the following dates / times:

Thursday, August 13th 8pm

Friday, August 14th 8pm

Saturday, August 15th 2pm & 8pm

The performance will run about an hour, along with a Q&A talkback with the cast.

Among some other supporting roles, my main role will be Persephone, which I am really excited about. In Greek mythology, Persephone is the Queen of the Underworld. We are working in an organic way on these pieces, with improvised dialogue, movement, and storytelling. Using the myths as the basis, we are keeping the original Epic themes alive, but spun into the fabric of the modern day.

From Mythologian.net
From Mythologian.net

I have always been fascinated by the epic Greek plays, particularly Iphegenia (I workshopped a piece in college), the Bacchae (I was a drum kit playing Dionysus in college), Antigone (yep played that too), and many others. Sacrifice, Feminism, family issues, man, it is all there! And I have always loved working in those realms. To me, it is the basis of all truly awesome theater.

Here’s an interesting thing that happened to me. In college, we had been working on a new adaptation of The Bacchae. I, along with two other women in my class, played Dionysus. The idea was s/he was sort of omnipresent and super powerful. The goddess in this case, of Sex, Wine, Creation and let us not forget, chaos. I had been working on my voice for weeks to project in the new Nafe Katter theater’s thrust stage. I wore leather pants, a corset, and had my hair pinned back. And then…something really..weird slash cool happened.

As I walked on stage, I felt myself get bigger. But not my body. I mean like, I felt like I was bigger THAN my body. I also felt this weird, surging energy (no, not butterflies) shoot through my legs. It almost felt like I might not be able to keep control of how well I would walk, which was vaguely nagging at me since I was waring 4 inch leather boots.

When I spoke, the words came out effortlessly, and my voice resonated much deeper and fuller than I had been TRYING in rehearsal. It did not sound like ME.

I felt high. Literally, emotionally, everything. I was sort of having this 360 degree view of of the room. It was exhilerating.

It was not until we finished and I went backstage that I felt a sort of swooning effect. It kind of freaked me out like…UM, what WAS that!?

Later on I spoke to some other actors from other classes and they didn’t even know it had been me on stage! And that was when I felt complete validation for my performance.

The other day someone said to me, “UGH, why would anyone starve themselves for a role? That’s so Hollywood.” And I immediately shot back that it was not, indeed, the case at all.

Actors want to be someone else. They want to feel the rush of experiencing something epic, catastrophic, euphoric, tragic, and if you can find that path by altering your appearance for a role, then you will. It’s because it literally feels different and in some cases is a short cut. Granted, it’s not always necessary, but I totally get it.

I live for those strange moments. To me, the stage is a sacred space and magic begins to flow as soon as the actor agrees to take part in something else. Call it channeling, connecting with a higher power, whatever.

It’s all Greek to me…..ha. I couldn’t resist.